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ca. 1600
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1600
This is the second edition of Titus Andronicus, printed in 1600 by James Roberts for Edward White. John Danter registered the play and printed the first edition in 1594, for White and Thomas Millington. 
1600
Like other plays from the period, Shakespeare's plays were meant to be read both as stories and as sources for sententiae, or memorable aphorisms.
1600
Englands Parnassus is one of two printed commonplace books, or collections of extracts organized by topic, compiled by Robert Allott, and was printed shortly after John Bodenham’s Bel-vedére.
February 17, 1600
In early 1601, Robert Devereux, Earl of Essex, led a rebellion which was over almost as soon as it began.
1600
Not all contemporary allusions to Shakespeare were positive. In the second stanza of Tom-Tel Troths Message (1600), John Lane commands his pen to “In mournfull verse lament the faults of men,” particularly in England.
1600
This is the first edition of A Midsummer Night’s Dream, printed by Richard Braddock for Thomas Fisher in 1600. Fisher registered the play on October 8 earlier that same year.
1600
The third edition of Lucrece was printed for John Harrison by his son, John Harrison III, in 1600.
1600
This is the first (and only) quarto edition of Much Ado About Nothing.
October 6, 1600
Lay subsidies were a type of tax based on personal wealth. In London, the collection of subsidies was managed at the local level of ward and parish.

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