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October 8, 1600
A Midsummer Night's Dream was entered into Liber C of the Stationer's Company on October 8, 1600.
1600
This is the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing.
1600
Englands Helicon, a collection of poetry first printed in 1600 by John Roberts for John Flasket, includes a sonnet from act 4, scene 3 of Love’s Labor’s Lost (1598). The poem in Englands Helicon is ascribed to “W.
October 28, 1600
The Merchant of Venice was originally entered into Liber C of the Stationers' Company on July 22, 1598, and licensed to James Roberts.
August 4, 1600
On August 4, 1600, Henry V, Much Ado About Nothing, and As You Like It (along with a fourth play not authored by Shakespeare, Every Man in His Humor) were noted on the flyleaf of Liber C of the Stationer's Company.
1600
This is the variant of the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing
1600
The first edition of Henry V, shown here, was printed in 1600 by Thomas Creede for Thomas Millington and John Busby.
1600
The first edition of Sir John Oldcastle Part 1 poses many difficulties. Firstly, there exist two different quartos of the play bearing the year 1600, one of which bears Shakespeare’s name as author.
1600
Englands Parnassus is one of two printed commonplace books, or collections of extracts organized by topic, compiled by Robert Allott, and was printed shortly after John Bodenham’s Bel-vedére.
1600
Like other plays from the period, Shakespeare's plays were meant to be read both as stories and as sources for sententiae, or memorable aphorisms.
