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Shakespeare was involved in many aspects of London’s professional theatrical world. He was an actor, a playwright, and a shareholder in an acting company known as the Lord Chamberlain’s Men, which became the King’s Men when James I became king in 1603. His plays were performed on professional stages owned by his company--first the Theatre, and then, after 1599, the Globe. (After a property dispute, the Theatre was disassembled and the timbers used to build the Globe). In 1609, his company began using its own indoor theater at Blackfriars. His plays were performed in many other spaces, including the royal court, the universities of Oxford and Cambridge and the Inns of Court, public buildings and outdoor spaces in the provinces, and private households.

The total number of Shakespeare’s plays varies somewhat, depending on who is counting them, and how. The total shifts between 38 and 40 plays as scholars reassess references to his two lost plays--Love’s Labor’s Won and Cardenio--and analyze how large a hand he had in some collaboratively-written plays.

This category includes all publications of his plays, up to and including the First Folio in 1623; all entries for his plays in the Stationers' Register; administrative documents from the National Archives and elsewhere that make reference to his theaters and theater companies; and printed and handwritten references to seeing and/or reading his plays. Read Alan H. Nelson's thematic essay to learn more about lawsuits in Shakespeare's England.

Visit the British Library's Shakespeare in Quarto, to learn even more about actorsplayhouses and theater companies in Shakespeare's time, and to view completely digitized copies of Shakespeare's plays.

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1603
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1603
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
August 9-17 1603
This fragment from the account book of a stationer in southern England provides evidence of a bookseller’s stock in the early seventeenth-century, with a tally of items sold over the course of a few days in August 1603.
February 7, 1603
Troilus and Cressida was entered for the first time in Liber C of the Stationers' Company on February 7, 1603.
1603
John Davies of Hereford was one of the most prolific poets of his age. He was born about 1565 and died in 1618, making him William Shakespeare’s nearly exact contemporary.
May 17, 1603
Although James VI of Scotland was proclaimed king of England on March 24, 1603, it took him over a month to arrive in London.
ca. 1594- 1603
Sometime in the final years of Queen Elizabeth’s reign, someone copied sixty-three lines from Shakespeare’s Henry IV Part 1 into the final leaves of a notebook devoted primarily to his Latin notes on metaphysics and theology.
ca. 1603- 1604
Sir Thomas More is a collaboratively written play that survives only in a single manuscript.
August 9-27, 1604
From August 9 to 26, 1604, twelve fellows of Shakespeare’s company, the King’s Men, attended upon the Spanish Ambassador at Somerset House, London. For about the same time, eleven fellows of the Queen’s Men attended upon other noblemen at Durham House, London: 
1604
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!

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