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1600
This is the second edition of Titus Andronicus, printed in 1600 by James Roberts for Edward White. John Danter registered the play and printed the first edition in 1594, for White and Thomas Millington.
1600
This is the variant of the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing
1600
Englands Parnassus is one of two printed commonplace books, or collections of extracts organized by topic, compiled by Robert Allott, and was printed shortly after John Bodenham’s Bel-vedére.
1600
This is the first (and only) quarto edition of Much Ado About Nothing.
1600
This is the first edition of A Midsummer Night’s Dream, printed by Richard Braddock for Thomas Fisher in 1600. Fisher registered the play on October 8 earlier that same year.
1600
Like other plays from the period, Shakespeare's plays were meant to be read both as stories and as sources for sententiae, or memorable aphorisms.
1600
The first edition of Henry V, shown here, was printed in 1600 by Thomas Creede for Thomas Millington and John Busby.
1600
The second edition of Shakespeare’s Henry VI Part 2 was printed as The First Part of the Contention Betwixt the Two Famous Houses of Yorke and Lancaster in 1600, six years after the first edition.
1600
This is the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing.
1600
This is the second edition of The True Tragedy of Richard Duke of York, now known as Shakespeare’s Henry VI Part 3.
