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The second edition of Lucrece, like the first, was published by John Harrison, but was printed by Peter Short.
Love’s Labor’s Lost, first edition: One of the first instances of Shakespeare's name on a title page
William Shakespeare's name first appeared on the title pages of three plays in 1598, including this edition of Love's Labor's Lost. Fourteen copies of this edition are known to survive. The sub-title, "Newly corrected and augmented By W.
The fifth edition of Shakespeare’s perennially popular poem Venus and Adonis appeared in 1599.
The title page of the second edition of Henry IV Part 1 identifies William Shakespeare as the play’s author for the first time in print. The practice of including authorial attribution on title pages was becoming increasingly common at the turn of the century.
William Scott’s The Modell of Poesye, a treatise on poetics, includes the earliest literary criticism of Shakespeare. Although Shakespeare is not mentioned by name in the manuscript, two of his works are.
This 1599 printing is the only surviving copy of the sixth edition of Venus and Adonis, first published in 1593.
Sometime after Sir George Buc, the future Master of the Revels, purchased the anonymous play George a Greene, Pinner of Wakefield shown here, he added two manuscript notes to the title page.
May 16, 1599
Inquisition Post Mortem of Thomas Brend, showing Shakespeare and others occupying the Globe playhouse
The Inquisition Post Mortem of Thomas Brend, shown here, is a near-contemporary witness of the lease for the site of the Globe on Maid Lane, Southwark, and a witness to the recent construction of the “house” itself.
Customers browsing in the bookshops of London in 1599 would have found a new version of a popular play based on the well-known story of Romeo and Juliet.
Lay subsidies were a type of tax based on personal wealth. In London, the collection of subsidies was managed at the local level of ward and parish.