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SHAKESPEARE DOCUMENTED IS STILL GROWING

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ca. late 1610 - early 1611
This document is a draft of a bill of complaint to be submitted to the Court of Chancery regarding annuity payments on property relating to the 1544 lease of the Stratford tithes.
October 5, 1611
Following John Shakespeare’s death in 1601, and perhaps for a year or two earlier, the Shakespeare family’s property in Henley Street (now known was the Birthplace) was let out to tenants.
1611
This is the only surviving copy of The Anuals of great Brittaine, a 1611 reissue of Robert Chester’s 1601 Loves Martyr, which included the Shakespeare poem now known as “The Phoenix and the Turtle.” The Anuals is made up of sheets from the 1601 edition
1611
In the last year of his life, the astrologer Simon Forman (1552-1611) recorded his impressions of the plots and lessons of four plays he saw at the Globe, three of which were by Shakespeare: Macbeth on April 20, 1611 (he mistakenly writes 1610), a production of Richard II by an
1611
This book is the only surviving play manuscript used by Shakespeare’s company, the King’s Men. It is also the only surviving copy of the play itself, which became known as The Second Maiden’s Tragedy.
undated, possibly 1611?
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
May 11, 1612
Shown here is the first round of depositions, dated May 11, 1612, given in Bellott v. Mountjoy.
1612
In An Apology for Actors, published in 1612, Thomas Heywood, a poet and playwright contemporary to Shakespeare, complains about William Jaggard’s The Passionate Pilgrim and appears to imply Shakespeare’s grievances as well.
1612
The playwright John Webster included Shakespeare in the list of dramatists he admired in his preface to The White Devil, printed in 1612 by Nicholas Okes for Thomas Archer. Webster asserts his support of his contemporaries (image 3: A2v):
1612
This is the fifth edition of Richard III, printed in 1612. Like the fourth edition, it was printed by Thomas Creede for Matthew Law.

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