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The fourth edition of Lucrece, dated 1600, was printed for John Harrison by his son, John Harrison III. It was set from the third edition, which was also has a 1600 imprint.
The third edition of Lucrece was printed for John Harrison by his son, John Harrison III, in 1600.
Shakespeare’s poem, now known as “The Phoenix and the Turtle,” was appended to a collection of poetry called Loves Martyr printed in 1601.This volume mostly consists of Robert Chester’s long and obscure narrative poem about the love between the phoenix and a dove
ca. 1602
The seventh edition of Shakespeare's popular narrative poem Venus and Adonis, possibly printed in 1602, survives in only one copy at the Bodleian Library.
The fifth edition of Lucrece was printed in 1607 by Nicholas Okes for John Harrison III, who had also published the fourth edition.
Printed as 1602, possibly 1607
The title page of the eighth edition of Venus and Adonis claims that it was printed in 1602 by William Leake, who had acquired the rights to Venus and Adonis in 1596. However, it was printed illegally in 1607 by Robert Raworth.
Imprinted as 1602, i.e. 1608
The ninth edition of Venus and Adonis was printed for William Leake and was dated 1602 on the title page, just like the eighth edition. However, Harry Farr argued in 1923 that it was actually printed in 1608, and identifies the printer as Humphrey Lownes.
At first glance, this copy of Shakespeare’s Sonnets, also published in 1609, might look just like the copy at the University of Manchester Library. However, there is a slight difference in the second-to-last line of the imprint.
Shakespeare’s collection of 154 poems in the English sonnet form was first published in 1609.
imprinted as 1602, i.e. 1610
The tenth edition of Venus and Adonis, like the eighth and ninth, bears an imprint claiming the book was printed for William Leake in 1602; however, it seems that it was not printed for Leake until 1610.