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Document-specific information
Creator: [Anonymous]
Title: Progress to Parnassus [manuscript], ca. 1606.
Date: ca. 1606
Repository: Folger Shakespeare Library, Washington, DC, USA
Call number and opening: V.a.355, fols. 7v, 21v & 22r (pps. 9, 38, 39)
View online bibliographic record
Heather Wolfe, "References to Shakespeare, Burbage, and Kemp: The Progress to Parnassus," Shakespeare Documented, https://doi.org/10.37078/170.
Folger Shakespeare Library, V.a.355. See Shakespeare Documented, https://doi.org/10.37078/170.
In several scenes, the Cambridge University play Progress to Parnassus mocks the literary tastes and talents of the London commercial stage, depicting Shakespeare as a popular but unsophisticated playwright and poet. One scene includes critiques of Christopher Marlowe (“Wit lent from heaven, but vices sent from hell”), Ben Jonson (“The wittiest fellowe of a bricklayer in England”), Shakespeare (“His sweeter verse contains heart-throbbing line”), and other playwrights and poets as part of an overall critique of the recently published literary anthology Bel-vedere. In another scene, a student auditions before Richard Burbage for the role of Shakespeare’s title character Richard III with the famous speech: “Now is the winter of our discontent.” Burbage himself was famous for this role, which is part of the joke. Progress to Parnassus was the third in a trilogy of comedies performed at St. John’s College, Cambridge in 1598, 1600, and 1601. It appeared in printed form in 1606 as The Returne from Pernassus: or The scourge of simony, but this manuscript version is thought to be the more reliable text.
Written by Heather Wolfe
Sources
J.B. Leishman, ed. The three Parnassus plays (1548-1601), London, 1949
Heather Wolfe, ed. "The pen’s excellencie": treasures from the manuscript collection of the Folger Shakespeare Library. Seattle: Distributed by University of Washington Press, 2002, p. 85..
Last updated May 17, 2020