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Shakespeare’s Lucrece was first printed in 1594, fulfilling his promise to the earl of Southampton in the 1593 dedication to Venus and Adonis of “some grauer labour.” In the dedicatory epistle to Lucrece, which was likewise
Locrine was published by Thomas Creede in 1595 with a title page claiming that the play is “Newly set foorth, overseene and corrected, By W.S.” This Senecan revenge tragedy, with close thematic and plot links to Shakespeare and George Peele’s Titu
Like Shakespeare’s Sonnets, first printed in 1609, Richard Barnfield’s sonnet sequence Cynthia (1595) was accompanied by a narrative complaint.
In 1595 William Covell, a church of England clergyman and a fellow of Queen’s College in Cambridge, wrote Polimanteia, which was produced by John Legate, the Cambridge University printer.
This is the only known surviving copy of the third edition of Venus and Adonis, Shakespeare’s first printed work. It is a heavily-repaired fragment, with the first section now lost.
February 4, 1596
In 1596 the actor and theater builder James Burbage bought property in Blackfriars, a London neighorhood on the site of a former monastery. His purchase included “seven great upper rooms as they are now divided” as well as some lower rooms and adjoining staircases and yards.
Edward III was published anonymously in 1596, and was one of three plays attributed to Shakespeare in the catalogue of books appended to Thomas Goffe’s The Careless Shepherdess in 1656.
Richard III was first printed in 1597, and the title page enumerates the various exploits to be found within, including Richard’s “treacherous Plots,” the “pittiefull murther of his innocent nephews,” his “tyrannicall vsurpation,” and of course h
The first description of a performance of Love’s Labor’s Lost appears in a sonnet sequence by Robert Tofte printed in 1598, the same year the play was first published.