To view a sortable list, please visit the Resource
All Documents
1600
Not all contemporary allusions to Shakespeare were positive. In the second stanza of Tom-Tel Troths Message (1600), John Lane commands his pen to “In mournfull verse lament the faults of men,” particularly in England.
1600
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1600
This is the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing.
1600
This is the variant of the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing
1600
The third edition of Lucrece was printed for John Harrison by his son, John Harrison III, in 1600.
1600
The first edition of Henry V, shown here, was printed in 1600 by Thomas Creede for Thomas Millington and John Busby.
1600
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1600
Like other plays from the period, Shakespeare's plays were meant to be read both as stories and as sources for sententiae, or memorable aphorisms.
1600
This is the first edition of A Midsummer Night’s Dream, printed by Richard Braddock for Thomas Fisher in 1600. Fisher registered the play on October 8 earlier that same year.
1600
Englands Parnassus is one of two printed commonplace books, or collections of extracts organized by topic, compiled by Robert Allott, and was printed shortly after John Bodenham’s Bel-vedére.
