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1600
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1600
This is the first edition of A Midsummer Night’s Dream, printed by Richard Braddock for Thomas Fisher in 1600. Fisher registered the play on October 8 earlier that same year.
1600
This is the first (and only) quarto edition of Much Ado About Nothing.
1600
Englands Helicon, a collection of poetry first printed in 1600 by John Roberts for John Flasket, includes a sonnet from act 4, scene 3 of Love’s Labor’s Lost (1598). The poem in Englands Helicon is ascribed to “W.
1600
The first edition of Henry V, shown here, was printed in 1600 by Thomas Creede for Thomas Millington and John Busby.
1600
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1600
The third edition of Lucrece was printed for John Harrison by his son, John Harrison III, in 1600.
1600
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1600
Not all contemporary allusions to Shakespeare were positive. In the second stanza of Tom-Tel Troths Message (1600), John Lane commands his pen to “In mournfull verse lament the faults of men,” particularly in England.
1600
This is the second edition of Titus Andronicus, printed in 1600 by James Roberts for Edward White. John Danter registered the play and printed the first edition in 1594, for White and Thomas Millington. 

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