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The Folger Shakespeare Library has the world's largest collection of materials relating to Shakespeare and his works, from the 16th century to the present day, as well as a world-renowned collection of books, manuscripts, and prints from Renaissance Europe. The Library actively acquires new materials that build on the strengths of the collection. In the Folger’s state-of-the-art conservation lab, conservators prepare collection material for exhibition and for hands-on study by researchers.

To learn more about the Folger’s collection, please visit their website.

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Images that are under Folger copyright are licensed under a Creative Commons Attribution-ShareAlike 4.0 International License. This allows you to use our images without additional permission provided that you cite the Folger Shakespeare Library as the source and you license anything you create using the images under the same or equivalent license. For more information, including permissions beyond the scope of this license, see Permissions. The Folger waives permission fees for non-commercial publication by registered non-profits, including university presses, regardless of the license they use. For images copyrighted by an entity other than the Folger, please contact the copyright holder for permission information.

Documents contributed by Folger Shakespeare Library

1600
The third edition of Lucrece was printed for John Harrison by his son, John Harrison III, in 1600.
1600
Englands Parnassus is one of two printed commonplace books, or collections of extracts organized by topic, compiled by Robert Allott, and was printed shortly after John Bodenham’s Bel-vedére.
1600
This is the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing.
1600
This is the variant of the first edition of Henry IV, Part 2, printed in 1600 by Valentine Simmes for Andrew Wise and William Aspley, who entered it into the Stationers’ Register on August 23, 1600, along with Much Ado About Nothing
1600
The first edition of Henry V, shown here, was printed in 1600 by Thomas Creede for Thomas Millington and John Busby.

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