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Shakespeare was involved in many aspects of London’s professional theatrical world. He was an actor, a playwright, and a shareholder in an acting company known as the Lord Chamberlain’s Men, which became the King’s Men when James I became king in 1603. His plays were performed on professional stages owned by his company--first the Theatre, and then, after 1599, the Globe. (After a property dispute, the Theatre was disassembled and the timbers used to build the Globe). In 1609, his company began using its own indoor theater at Blackfriars. His plays were performed in many other spaces, including the royal court, the universities of Oxford and Cambridge and the Inns of Court, public buildings and outdoor spaces in the provinces, and private households.

The total number of Shakespeare’s plays varies somewhat, depending on who is counting them, and how. The total shifts between 38 and 40 plays as scholars reassess references to his two lost plays--Love’s Labor’s Won and Cardenio--and analyze how large a hand he had in some collaboratively-written plays.

This category includes all publications of his plays, up to and including the First Folio in 1623; all entries for his plays in the Stationers' Register; administrative documents from the National Archives and elsewhere that make reference to his theaters and theater companies; and printed and handwritten references to seeing and/or reading his plays. Read Alan H. Nelson's thematic essay to learn more about lawsuits in Shakespeare's England.

Visit the British Library's Shakespeare in Quarto, to learn even more about actorsplayhouses and theater companies in Shakespeare's time, and to view completely digitized copies of Shakespeare's plays.

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1613
The second edition of Thomas, Lord Cromwell, retains the attribution to W.S.
June 30, 1613
The Globe went up in flames on June 29, 1613, a newsworthy event mentioned in numerous contemporary accounts. In his weekly letter to his former student Sir Thomas Puckering, Thomas Lorkin notes that it burned down during a performance of Shakespeare’s Henry VIII.
1612- 1613
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
July 4, 1613
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
August 25, 1613
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1613
Mathew Law published this fifth edition of Henry IV Part 1 in 1613.
July 2, 1613 (reproduced here in print, 1661)
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1614
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!
1614
Like the first edition of 1600, the second edition of Englands Helicon (1614), includes a sonnet from act 4, scene 3 of Love’s Labor’s Lost (1598). The poem in Englands Helicon is ascribed to “W.
1614
SHAKESPEARE DOCUMENTED IS STILL GROWING! Descriptive content and transcriptions will continue to be added, updated and expanded. Check back for regular updates!

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