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The second edition of Venus and Adonis was published in 1594, only one year after the first edition. The speed with which it was republished suggests that the poem was popular enough to have already sold out or nearly sold out.
The first known printed reference to Shakespeare appears in a commendatory poem introducing the poetry collection Willobie his Avisa, printed in 1594. The poem, entitled “In praise of Willobie his Avisa, Hexameton to the Author,” appears before the main text.
Richard Barnfield’s description of “earth-delving conies” in The Affectionate Shepheard is most likely an early allusion to the “earth-delving conies” in Shakespeare’s Venus and Adonis (1593),
Epicedium, a brief quarto pamphlet made up of only a single poem in memory of Lady Helen Branch, contains one of the earliest allusions to Shakespeare’s Lucrece by name.
Henslowe's diary: including the first recorded performances of Henry VI and Titus Andronicus, and a possible performance of The Taming of the Shrew
The entrepreneur Philip Henslowe’s unique “Diary,” or account book, of his extensive theatrical enterprises records the titles of over 325 plays from 1592 to 1604, including two, perhaps three, plays written in part or whole by Shakespeare: Henry VI Part
Shakespeare’s Lucrece was first printed in 1594, fulfilling his promise to the earl of Southampton in the 1593 dedication to Venus and Adonis of “some grauer labour.” In the dedicatory epistle to Lucrece, which was likewise
In 1594, Peter Short printed an anonymous play called The Taming of a Shrew to be sold by Cuthbert Burby.
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December 1, 1595
Edward III was entered in Liber C of the Stationers' Company on December 1, 1595 as "Edward the Third and the Blacke Prince their warres with kinge John of Fraunce." The play was entered by London publisher Cuthbert Burby, who ordered the first quarto edition
March 15, 1595
Exchequer, Pipe Office, Declared Accounts: Listing Shakespeare as a leading player of the Lord Chamberlain’s company
By March 15, 1595, and inferentially by Christmas 1594, William Shakespeare had become a leading member of his company, the Lord Chamberlain’s players, sufficiently senior to serve with William Kempe and Richard Burbage as a financial trustee.